Some folk are never going to be happy. Big win for Darren Aronofsky, and for anyone who appreciates his work.
Aronofsky's big budget fantasy has been plagued by reports that Paramount bigwigs cut their own versions following negative reactions from test screenings for US religious audiences, a demographic the $130m film needs to address if it is to stand a chance of recouping its gargantuan budget. But in the new issue of the Hollywood Reporter, the director of Black Swan and The Wrestler insists that the final version audiences will get to see in multiplexes is entirely his own. His victory might be a somewhat pyrrhic one, however, since Paramount appears to have given up the fight after its own versions of the film tested no better with Christians than the director's cut.